收藏黑马--明末民窑五彩人物故事罐

          五彩彩属于釉上彩。最早出现于宋代北方磁州窑的产品中，在山西长治八义窑址曾采集到部分红绿黄彩绘碗标本。釉上彩制作是先以高温烧成白瓷，然后彩绘，再放入炉中低温烧成。所用彩料是铜绿铅釉和矾红。矾红的主要着色剂是氧化铁，又叫铁红，是我国的传统红彩。宋以后的釉上红彩都是矾红。彩绘时，矾红料中还需配入适量的铜粉和胶。彩料愈细，颜色愈鲜。矾红彩颜色与烘烤时间、温度也有直接关系。如温度过高或时间过长，会使部分氧化铁熔入底釉中，而使红彩闪黄。温度过低红彩光泽则不足。文中这件红绿彩罐，色泽鲜艳，釉色光亮，正是由烧成温度、时间掌握较好的缘故。

Colorful colors belong to overglaze colors. It first appeared in the products of Cizhou Kiln in northern Song Dynasty, and some red, green and yellow painted bowls were collected at Bayi Kiln Site in Changzhi, Shanxi Province. Over-glaze color is made by firing white porcelain at high temperature, then painting, and then firing at low temperature in a furnace. The color materials used are patina lead glaze and ettringite. The main colorant of ettringite is iron oxide, also called iron red, which is the traditional red color in China. After the Song Dynasty, all the red colors on the glaze were red. When painting, proper amount of copper powder and glue should be added to the ettringite. The finer the color, the fresher the color. The color of Ettring is also directly related to baking time and temperature. If the temperature is too high or the time is too long, part of iron oxide will melt into the bottom glaze, and the red color will flash yellow. If the temperature is too low, the luster of red color is insufficient. This red and green color pot in this paper has bright color and bright glaze, which is precisely because the firing temperature and time are well controlled.

此件瓷器，直口，圆唇，短颈，丰肩，鼓腹下收，平底，无盖。颈部红彩勾出云条如意头，青釉米格纹为地，中部绘乘阴树与人物形象，如意纹间饰缨珞纹。肩部红彩绘缠枝树枝纹一周。腹部五彩绘婴戏武贤故事。所见表情清晰，飘逸灵动，极具神采，虽其绘画之线条并非如明早期官窑或清代官窑那般工致细密，然则古拙有力，运笔恣肆而不失神韵，在人物空间分布上亦是十分自然，绘者似未刻意经营画面空间，然而此类“和谐美满”的画面则给人意蘊无穷之感，因为它质朴自然的生动。

This piece of porcelain has a straight mouth, round lips, short neck, shoulders, bulging belly, flat bottom and no cover. The red color on the neck marks the ruyi head of the cloud strip, the green glaze MiG pattern is the ground, the middle part is painted with shade trees and characters, and the ruyi pattern is decorated with tassels. Red-painted branches and twigs on shoulders for a week. Abdominal five painted baby play Xian Wu story. The expression you see is clear, elegant and smart, with great spirits. Although the lines of his paintings are not as close as those of the official kiln in the early Ming Dynasty or the official kiln in the Qing Dynasty, the Gu Zhuo is powerful, and the brushwork is unrestrained without losing its charm. It is also very natural in the spatial distribution of characters. The painters do not seem to deliberately manage the picture space. However, this kind of "harmonious and happy" picture gives people a sense of infinite meaning, because it is simple, natural and vivid.

五彩瓷以柔和为贵，透视感较强，绘画工致精丽，生动传神，一扫明代嘉靖、万历之重色彩而不细究形貌的粗劣画风，施彩大部分较明代匀薄。花瓶图案画面生动逼真，题材丰富多样，除一般的花卉、山水之外，大量采用以戏曲、小说为题材的人物故事画。陶瓷精品纹饰多为人物、花卉、山水，用笔精细 纤巧，构图疏朗简洁，是海内外文物爱好者的收藏热点。

Multicolored porcelain is valued for its softness, which has a strong sense of perspective. Painters are exquisite and vivid. They sweep away the heavy colors of Jiajing and Wanli in Ming Dynasty, but do not pay close attention to the poor painting style of appearance. Most of the applied colors are thinner than those in Ming Dynasty. Vase patterns are vivid and vivid, with rich and varied themes. Besides ordinary flowers and landscapes, a large number of people's story paintings with operas and novels as themes are used. Most of the fine ceramic decorations are figures, flowers and landscapes, with fine and delicate pens and simple composition, which are the collection hotspots of cultural relics lovers at home and abroad.